Tag Archives: The Rave

SUMMER SLAUGHTER TOUR

The Rave Friday August 17th 2012 part of North American Tour

Cannibal Corpse/Between the Buried and Me/The Faceless/Periphery/Veil of Maya/Job for a Cowboy/Goatwhore/Exhumed/Cerebral Bore

Friday at the Rave boasted a full 10 hours of metal headliners. No big deal, right? Ha! Fillintheblank-core! One could literally not possibly pack more music into one day, especially since the type of music showcased here doesn’t slow down to rest, nor do any of the musicians with their playing. Thumbs up to all the tour managers and road managers alike, as changeovers were rapid and sound was formidable across the board (for the Rave).

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PROTEST THE HERO, PERIPHERY, JEFF LOOMIS, THE SAFETY FIRE & TODAY I CAUGHT THE PLAGUE 4/10/2012

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The Rave gets a bad rap for just about everything these days, and it’s a tough sell, as 2 drink minimum ticket prices begin to look like a night at the Staples Center in L.A., and patrons are usually confounded which and where the act is playing inside the giant maze– all while looking over their shoulder in a less than safe neighborhood. But…the music makes it worth it…

The progressive metal/rock bill put on by Toontrack, Merch Now & Metal Sucks laid all the unrest to bed, as every act… rather every musician in every act, was top notch. Today I Caught the Plague, great. The Safety Fire, wow. Jeff Loomis, Christ. Periphery, unbelievable. Protest the Hero, yes. A true musicians’ show. Every guitar toting Milwaukeean should have been there, although they may want to give up guitar altogether after the onslaught called “Tuesday, April 10th @ the Rave.” I can’t lie, I actually did practice when I got home. Ha!

Today I Caught the Plague from Ottawa, ON opened the night, on their first tour outside Canada, and made sure the audience knew what they were in for. David Journeaux set the tone early in the vocal department, bringing a more than solid effort. Check them out at their website.

UK’s The Safety Fire featured two Telecaster playing guitar monsters named Joaquin Ardiles and Derya Nagle. The band is fantastic….Jazz influenced metal sounds with aggressive riffing and well produced vocals, while somehow keeping a very mainstream appeal. I fully expect them to get huge. They just released a full length album that you can grab for $1.89 on Amazon! http://www.amazon.com/Grind-The-Ocean/dp/B007QTAZ94/

For Jeff Loomis, there’s just nothing else to say but… JEFF frickin’ LOOMIS! He’s a hometown hero, and played with a full backing band…first time since the Nevermore days. 30 minute set of impossibleness. Head over to Jeff’s website to experience it for yourself. http://www.jeffloomis.com/

Co-headliners in my eyes, Periphery is a pioneer in the progressive metal scene, and is growing bigger with each tour. They arguably brought the most produced sound to the table, reproducing their album material with incredible accuracy. They still never lose their edge at all, not to mention the live show energy put the crowd into chaos mode. Guitarist Misha Mansoor was featured as his chops are amazing, but the riffing between him along with Mark Holcomb & Jake Bowen was equally impressive. A quality set. See more on their Facebook page http://www.facebook.com/PeripheryBand

Headliners Protest the Hero couldn’t raise the bar any further than the 4 bands prior to them, as that was simply an impossible feat, but they managed to keep the energy chaotic and the music at prodigy level. Vocalist Rody Walker was outspoken between songs, and dead on cue within them while guitarist Luke Hoskin was inspiring even without having to throw his body around. Check out their website at http://protestthehero.com

A truly impressive night of music from 5 bands that deserve their own headlining show.

Contributed by Sean Williamson
www.seanwilliamson.net

BASSNECTAR- THE RAVE (EAGLES BALLROOM) SEPTEMBER 29, 2011

Just over a week ago Lorin Ashton, with the stage name: Bassnectar, voyaged himself and crew of Bass Cadets to our hometown to play a whimsical performance. EOTO (2 members of the String Cheese Incident) was the opening act for this event.

Today, the “Bassnectar Music/Band Fan Page” on Facebook has 646,074 fans. Comparing this fact to that of a band such as Phish with 521,554 fans on Facebook one may see how our current generation of music-goers cater to this electronic Disk Jockey style of performance. Hence, the reason this genre of concert is beginning to see the average age to be significantly younger. This event followed suit.

Bassnectar has been selling out concert venues, bars, and clubs all across globe, including tours internationally. He provides music enthusiasts with jaw-dropping bass performances and incorporates DubStep, hip-hop, and electronic alterations into his setlists. He is considered a solo DJ that produces unique and creative bass reverberations and has recently been coined the “Monster of Womp,” due to his catchy dubstep bass waves.

The Eagles Ball Room was near capacity and Bass Heads occupied the entire balcony area  above. This concert was part of his fall tour promoting his new EP “Divergent Spectum,” containing remixes of Ellie Goulding- Lights, and also sampling Ill Gates and Gogol Bordello.

Bassnectar’s lighting displays have always correlated well with the music he is playing at a given time. Years ago during his mellower drum and bass performances the visuals would match the melodies in an organically, in-depth-growing, adventurous way. Today, his shows contain lighting displays similar to those of Umphrey’s McGee or Future Rock in the aspect that they are more fast paced, continuous bright patterns that rapidly change to the damaging bass cannons Lorin has began to drop.

The show was intriguing because he found a proper way to thread his new tracks into his set-list without making the show seem like too much of a new album promotion. He also found modern ways to incorporate pieces of his previous work into the exploration of his current trends.

There is another minor part of his shows that sets him apart; he tends to mildly sample certain portions of songs out of the realm of the mainstream ear, such as “Juicy Juice, By: Zion I & The Grouch.” He finds a way to mend these short lower-key pieces of songs into his act, and doing it without having to make them “known.”

Here are some photo’s from his performance:

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