Tag Archives: D’Amato

BAY VIEW GALLERY NIGHT AT CLUB GARIBALDI 6/1/2012

This month Milwaukee kicked off summer festival season with Bay View Gallery Night. The event, presented by Made in Milwaukee and The Alchemist Theatre, brought on a day of exploring and celebration in the Bay View community. Over 25 venues featured more than 50 local artists and 20 local bands, giving much promise to the summer’s upcoming event series and concerts.

The night stretched across the neighborhood’s sky, its air carrying the warmth of June, the buzz and glow of neon signs from windows, and the sound of people and music from open doorways. At Club Garibaldi, more than 200 people attended to see the headlining acts of Bay View Gallery Night.

The audience quickly filled the bar and concert space of Club Garibaldi, eager to witness the music of D’Amato, Rusty Ps and MC Oneself, Sat. Night Duets, and The Fatty Acids. In addition to this great lineup, live paintings from local artists Dwellephant and Field Lehmann were featured.

D’Amato took the stage, wearing a black suit with a red tie and suspenders that match the red sequined dress of his backup singer. Planning and good taste are the first parts of his act that catch your attention. With a beat machine and himself on mic and guitar, D’Amato’s sound meets your ear with a blend of hip-hop beats, bluesy rock guitar solos, and quick-witted lyrical rhymes.

D’Amato’s appeal goes beyond the content of his songs and into the realm of performance. He blends his rapping with singing, holding out notes at the end of bars with vibrato. His soulful delivery is in his energy as he moves from rapping to singing to vocal scat solos. Matching this expressive method are his guitar solos. He gets down to his knees, with sweat beading on his brow and his hands laboring over the frets. He glides through blues scales and holds onto high notes with bends.

Being a skilled musician is enough to get a crowd’s attention and have you work heard. But being both a skilled musician and a committed performer hooks an audience so that you work is felt. And D’Amato’s expression shares an experience with us rather than just sounds. Which is why it is shocking that this guy’s name isn’t seen on more concert fliers and has yet to have an album out. D’Amato’s facebook is the best way to get updates about his shows and even treats us to his sound. Look for his next show and discover an artist that will shock you with his talent and inspire you to share his music with others.

On a side stage were local artists Dwellephant and Field Lehmann, bringing their inspirations to life on canvas with paint. Throughout the evening they created meticulously, concentrated on their art as it took form before the crowd.

Live paintings from the artist Dwellephant

“Seeing Sunshine,” by Field Lehmann

The next rare delight was the live performance of The Rusty Ps and MC Oneself. The hip-hop group featured three emcees and a live band. MC Oneself started off alone on stage and sparked the performance that fully exploded with two other emcees of The Rusty Ps, Phantom Channel and Count Classic, accompanied by a live band.

The Rusty Ps are no strangers to the stages of Milwaukee and hip-hop fans in the country. Coming to rise in the late 90s, the group developed relationships with the famed Rhymesayers label in Minneapolis and recorded with Slug, the phenomenon behind Atmosphere. Earning the title of Wisconsin’s best hip-hop band several times over at the WAMI awards, as well as many other titles, the group has provided Milwaukee’s hip-hop scene with a style that is now signature to Midwestern hip-hop.

The beats they use are well in place, providing a simple foundation that’s built upon with other instrumentation, including guitar, bass, and piano, as well as record scratching and sampling. These elements are graced with introspective lyrics of the group’s emcees who deliver their songs with fluent exchanges of verse among one another.

To the first-time listener, they are awe inspiring. Their complexity of lyrics, paired with their beats, showcases the heart of their talent. Their lyrics move fast, running through autobiographic narratives that center around an emcee’s struggle to evolve their sound beyond that of their predecessors and contemporaries. With a clever philosophical rhyme, they weave details of daily life with technical terms to explore the discourse of science and self, all the while carrying a song and narrative that is accessible to the audience. The Rusty Ps are still on an evolutional path, as they take on new sounds of live elements to their set. Their performance featured one song with trumpet tracks, played by Kurt Raether of Fatty Acids.

With charged stage presence, well produced tracks, and lyrics that differentiate them as artists offering genuine works, The Rusty Ps successfully proved themselves as an opulence of not only Milwaukee’s music scene but the Midwestern region in general.

Sat. Night Duets kicked off their summer tour with The Fatty Acids. Their sound sported guitar riffs and piano chords that are signature to the American Rock genre, as well as lyrics that were more than often expressively spoken than sung, and open guitar chords and un-distilled sounds that characterize the noise rock genre.

Pulling from various familiar styles makes the crowd easily grasp their musical intentions and purpose. It wasn’t too soon after they began their set that the audience joined in on the fun, getting up on their feet and clapping along to the music.

Capping off the evening were The Fatty Acids. The band’s choice to do another tour with Sat. Night Duets this summer was well made. The Fatty Acids kept the upbeat energy that Sat. Night Duets injected the crowd with and channeled it into their performance that moved the majority of the crowd to singing and dancing.

With a lineup that was stacked with talent, Gallery Night was a great success for celebrating some of the best in Milwaukee’s scene. Be sure to check out the other awesome events in store for this summer. You won’t be disappointed.

MILWAUKEE ODYSSEY & IRIE VIBEZ EVENT AT O’LYDIA’S 5/11/2012

The Milwaukee entertainment scene has been thriving for a couple years and has been recently gaining momentum now more than ever. Recognizing the community vibe in our fair city, Christopher Roze of Milwaukee Odyssey (a local art curation company) and Irie Vibez Productions reached out to several organizations around the city to come together to support one event. Local Playlist was honored to be asked to be a part of this great event so please join us this Friday, May 11th, at O’Lydia’s Pub (338 S. 1st Street) for the kickoff of Milwaukee Odyssey’s newest gallery! It will be a unique night combining art, music, shopping, multi-media and food. Cover is $10 and the music has a broad scope of style, focusing on reggae, to remember the 31st anniversary of Bob Marley’s death, featuring the following performers;

• R.A.S. Movement & Naima Adedapo (Reggae)
• Natty Nation (Reggae band from Madison)
• Undercover Organism (Electronic Funk)
• D’Amato (Soul, Funk, R&B)
• BOXXX Ft. ReB (Milwaukee rap duo)
• DJ Marcus Doucette of 88.9 Radio Milwaukee

In addition to all of these great tunes, there will be a variety of activities going on all night such as;

• Drum Circle
• Odyssey Grupo de Fuego, fire spinning
• Bus painting in parking lot across from O’Lydia’s
• Live video projection
• Catering by Take Home Owen
• Patio hula hoop session
• Mini ARTket (artist vending area)

The groups sponsoring & promoting this event are as unique & eclectic as the music and activities, all representing different areas of the entertainment industry in Milwaukee. Click on the sponsors to be directed to their websites to find out more about the exciting things they’re doing!
Event Sponsors:

Recalcitrant
MKE BKE
Escape to Ecuador
Local Playlist
Art Milwaukee
88.9 Radio Milwaukee
FunTv
The Couto Bros
Pabst Blue Ribbon

And last but certainly not least, for those of you who don’t have transportation or would rather not drink & drive (or bike) from the 5th Ward, there’s a party bus to transport you from the East Side, details are as follows;

Bus departs Murray Pantry (2430 N Murray Ave) at 8pm. $5 gets you a ride there and back as well as a free PBR upon entry to O’Lydia’s! Space is limited so make sure to get there before 8pm.

Check out the Facebook invite for more details and we hope to see you there!

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APRIL 21st ODYSSEY EVENT @ STONEFLY

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Stylishly encompassed with local talent, Riverwest’s Stonefly Brewing Company hosted the Milwaukee Odyssey event on April 21st, 2012.

Following the previous evening’s annual Gallery Night, the Odyssey crew and Stonefly staff carried on the artistic movement into Riverwest and offered the crowd an earful and eyeful that evening.

The Stonefly Brewery houses a unique stage placed diagonally to the main bar area, and can be viewed from the upper seating deck, the pool lounge area, and the main floor. This set up allows patrons to view the works of art, engage with one another, and order a drink without missing any of the performances. Located near the south wing of the bar is a large French door that opens up to a large courtyard with tables, chairs, and benches used for smoke breaks and fresh air.

Locally-based art Curation Company: MKE Odyssey’s president Christopher Roze greeted each guest at the door, welcomed performers to stage, and mingled amongst the mass. This event was put on to highlight local musicians and artists and to bring together cultural connections through various mediums of art.

This event was a compilation of various artists from different backgrounds, with assorted influences, and diverse talents. The Odyssey crew does an outstanding job of creating interest and making all feel welcome. The variety of talents and out-of-the-box marketing strategies keep the fans revolving, drawing in a mix of young professionals, like-minded artists, families including children, and others who may not otherwise been informed.

The Milwaukee Odyssey crew also co-sponsored a city-wide beach cleanup in observation of Earth Day that took place Saturday prior to the event.

Kicking off the evening was a fresh acclaimed and soon to be Milwaukee phenomenon, The ‘NewlyBreds’, including drummer, Rick Carlson, of Undercover Organism, and former Undercover Organism bassist, Carter Manley, along with guitarist, Jack Beyler. This was the groups’ first official show in the Milwaukee area. The classical rock group performed an intimate mach show in Madison for a few sacred die-hards, and now will begin obtaining presence in the Milwaukee region. The show held a simplified feel with intricate melodies, beat change-ups, guitar rips, and with the overt emotions from the bassist the band shows signs of accomplishment and structure.

Taking the spotlight following the NewlyBreds was a local South Milwaukee, three-piece metal infused alternative band, Test Pilot. All of their music is available for free on their website; “they do not believe in charging people to listen to music.” They would also like “Bigger straws for everyone,” in regards to the petite coffee straws served in cocktails at bars. There was an apparent energy throughout the entire event, and this group did nothing to slow down the pace. It gave the impression of being at a Fourth of July Beastie Boys firework show with the intensity from the instruments to the stage presence, this trio definitely creates awareness through their edgy tone and thrash out mentality.

Fresh faces continued to find their way into the brewery, despite the Ifdakamp pre-party going on right down the road at Mad Planet; many may have had a harsh decision when making plans for that evening.

Next up on the ballot was a Milwaukee and Madison local Indie-Rock group, Animals in Human Attire. This spunky, fun-loving bunch showed their wild sides Saturday night. This six piece freight train came around the mountain with just enough momentum to rock the socks off the Stonefly Brewery. Following an act with such an upbeat performance, these six individuals hailed copious amounts of exhaustive liveliness. The lead vocalist presented himself to the stage wearing an animal costume head with a rubber face similar to that of a monkey with a hairy fray exterior. During this act the host handed out FREE DJ Puffin’ Vinyl containing tracks from the Innocuous Records label Volume 15: Milwauskweee.

One of the guitarists spent more time off the stage communicating through his instrument with such justified emotion to the audience giving many front-rowers a sense of being on stage. Carrying a retro Sum-41-esque vibe, one drummer utilized a few empty couple gallon buckets and a propane tank as his drum set. With their unique style and fast-paced Irish sounding jams these hooligans kept the crowd jumping. There was even a brand new song played that evening dedicated to the elderly folk. The encore seemed out of place for their set with a slower easy jam feel, but led into a grand cool down for their energetic, humorous routine.

Nearing the end of the event, D’AMATO takes the stage. This funky, outlandish, blues, hip-hop crew attracts the attention of all. This group is comprised of a celebratory lyricist, a ‘White Jesus’ on the keys and computer, two female tap dancers, and an oversized Sasquatch mascot. Now picture this all going on simultaneously. For such a diverse set-up, the precious vocals pierce the Stonefly aura and take the breath away from the viewers leading into D’AMATO’s change-up taking hold of his bass guitar.

This comedic, yet funky portrayal led the vocalist to drop his drawers for a good ol’ fashion pants-off-dance-off! He continued his act, as if everything was normal, as the gorilla-suited man strutted his furry ass along the stage. During this soulful merge of blues-funk and hip-hop, curator, Chris Roze, began handing out “Funk Trophies.” These were given to anyone who deserved a lil’ somethin’ extra for gettin’ a lil’ extra funky with the dance moves. Carter, bassist for the NewlyBreds, received one…of course.

As we venture to the late night scene, two DJ’s have yet to make their statements. DJ Puffin received some time in the spotlight shortly after D’AMATO to give the night owls something to rage to. His set held a reserved vibe. Reserved does not always convey a negative message. The beats were simple, which in this day and age of revolving electronic music is important. It was a safe set, and the DJ seemed to with hold his emotion while on stage, which is very rare these days. The tone had a relaxed, yet constant vibe, and went well with the atmosphere of the building at that time. There were a few kids in front wafting laser gloves swiftly and smoothly to portray wavelengths of distorted colored lights that seemed to leave lingering trails long after the motions have been completed.

The Gimp (DJ) polished the night cap with one last breath of exiting bass. His quick arm motions toward each turn table showed his comfortable familiarity with the equipment. His style was poppy, but original, utilizing rap samples and off-set beat lay downs. His grind mode mixed with a laid back approach dilutes the need for much consideration when he slows the disco dance jams to a drawn out trance feel and just lets the track ride.

The pleased, comforting, and passionate emotion across Christopher Roze’s face at the end of the event was that of accomplishment. As the night came to a new beginning, and the Stonefly staff began guiding customers to the door members swapped stories on the smoker’s patio, photographers shared pictures, and no one really wanted to leave. I’d say that speaks for itself in calling this a successful display of hidden local talent.

MILWAUKEE ODYSSEY PRESENTS AIRHYTHMATIC, GINA & OLIVIA DUO, KNOW FLIGHT ZONE, D’AMATO, DE LA BUENA & ZIGMORTIUS AT STONEFLY 1/27/12

I’d guess the Stonefly reached full capacity at some point during this Milwaukee Odyssey-produced show, as I overheard someone saying that a hundred people were told to vacate the premises due to overcrowding. It was an eclectic line-up, and an eclectic crowd as well, with a thirty-year age range.

I arrived a little late, pleased to hear Prince playing on the P.A., and I was just in time for the Gina & Olivia Duo, one clad in a black skirt, the other in orange, who opened with a cover of “Stormy Weather.” A vocal duo whose breathy voices work well together, they were accompanied by nothing but an understated keyboard, and it took them a few bars to settle in, but they rose to the occasion. And they let everyone know this show would be something a little different. Their version of Adele’s “Rolling in the Deep” displayed their vocal talents so well that according to one concert-goer, “It gave me goosebumps.” Their set was short but sweet and I’m sure we’ll hear more from them soon.

By this time, the bar was about three or four-deep, so I wandered around, talked to a few friends, and shot some video footage with my mini-handicam. As part of their mission, Milwaukee Odyssey curates local art of all kinds, and at this show they displayed original artwork from twelve very different artists.  Stonefly was filled with art, with pieces hung anywhere there was adequate wall space. Throughout the show, a young couple also painted a picture, just to the side of the stage. Live art is usually present at Odyssey events, a unique touch.

After squeezing my way back through the mass of bodies I found a good spot to camp out and to my surprise, Dana Coppa (or Coppafeel), from King Hell Bastard, appeared on stage, joined by Kiran, from Fresh Cut Collective, collectively called Know Flight Zone. Having never seen KHB live (I know, I should be ashamed) I wasn’t aware how much Dana has a natural oddball presence as an MC as he bounces around, and he definitely took over the stage for a few minutes on this particular night. While Kiran played the drums Dana delivered a good, hard two minute-long breathless intro, and Kiran jumped in on the next song; he and Dana handing vocal duties back and forth, with Kiran playing some keyboards as well. Dana always sounds high-strung, and slightly atonal, and Kiran’s smoother sing-speak vocals are a good counterpoint. It’s impossible to know how much of their set was rehearsed and how much was free-styling, but however it came together it felt spontaneous and fairly seamless.

The Milwaukee hip-hop scene has long been sorely underrated, partly due to the fragmented nature of the various musical communities. It gets virtually no local media coverage, and that’s a real shame because a lot of these guys work hard and create consistently good music. Of course, there’s nothing new there, as that’s the case in many communities. The segregation and poverty throughout the city of Milwaukee is the ideal breeding ground for a do-it-yourself, on-the-fly, with-the- resources-at-hand, underground hip-hop movement. Hopefully this set exposed some people to an aspect of the local hip-hop scene they had not experienced before and they’ll take it upon themselves to check out something else.   

Dana mentioned during their set that an artist named D’Amato was coming up after them, and I hadn’t heard of him but, boy, he got my attention, and much of the crowd’s as well. He suddenly popped up on stage between two female dancers, dressed in black with suspenders and a medallion around his neck, for an opening dance sequence. When D’Amato picks up the guitar and starts playing a solo that sounds like Roy Buchanan on acid, I’m thinking, “what the…?”  Then a man dressed in a white tunic, (I later found out he’s called White Jesus) who up til this point looked out of place on stage, hands him a microphone and he busts out this quick-time rap verse, showing off some serious vocal gymnastics in the process. By this point he was reeling the audience in, and as I glanced around I saw people stop what they were doing to turn and get a look at this guy. A short time later he’s stripped down to his black muscle shirt and he’s delivering a talking-blues/rap about a girl. He changes gears mid-stream and slides into a slinky vocal, asking the subject of the song, “How many boys have you had inside your bed?” The transition was so casual, just like it was nothing. Impressive. D’Amato’s singing/rapping and guitar playing is an amalgam of influences, and he’s all over the place with his mix of hip-hop-soul-R&B-funk-rock.  A born story-teller, he knocked it out of the park and sort of knocked me over. I talked to him after the show and I mentioned that he reminded me of a young Curtis Mayfield. One of the coolest musicians in Milwaukee right now, he’s reportedly working on a new record. Stay tuned.   

Shepherd Express included De La Buena’s most recent album among the best Milwaukee recordings of 2011, and I was curious to see them live. It took them quite a while to set-up and it was cozy for their ten members on the relatively small stage, and the first thing that jumped out was the percussionists positioned right up-front. Their Latin-fusion is peppered with rock-isms, like a hodge-podge of jazz fusion and some 70s progressive-rock, along with various strains of Latin music, and they showed off some chops right away as they traded solos while alternating between instrumental and vocal-driven parts. Even as they pulled back from an upbeat dance song and played a slower number, their swirling, seductive syncopation held the crowd’s near-complete attention. I observed more guys dancing than one might ever see at a non-rave/electronica show. The only female in the band, Holly Haebig, even came out into the crowd & danced salsa with a few lucky men. Despite the late hour, from my vantage point, no one was leaving yet. De La Buena was a fine compliment to the wild stylings of D’Amato.

Last, but not least, Zigmortius (aka Ben Z) ended the night sometime around 2 a.m. with a set consisting of a blast of noise and his idiosyncratic, partially-improvised, mind-bending, tribal-industrial, man-machine drumming. A statuesque man covered in tattoos, Ben cuts an imposing figure even without the tribal facepaint he wore for Friday’s performance. Alongside of him sat a giant picture of a baby. He seemed to be fidgety as he kept getting up from the drums to pound on his Korg pad, and then, suddenly, just like that, he was done, and just as matter-of-factly as it all began it was over. Wow! What a show.

 

As I headed out the door in a bit of a daze, toward an after-party across the street, a light snow was falling in Riverwest. I was still digesting everything I had just witnessed, and I was thinking about how much credit Milwaukee Odyssey deserves for having the vision to pull off such a feat, especially the ever-industrious Chrisopher Roze, who brought all the artists and bands together. It makes me hopeful that this kind of energy can be captured again. Localplaylist can’t wait for the next Odyssey show and we hope you can’t either!