Category Archives: Show Reviews

GHOST B.C. AT TURNER HALL 5.15.13

I first encountered Sweden’s Ghost B.C. on YouTube, and while it’s easy to write off bands rooted in gimmick, Ghost still finds a way to make the music just as important. While the complete anonymity of the band, cardinal costume of the frontman (properly named Papa Emeritus II), synagogue like stage plot, & dark, obscure stage banter are all almost impossible to ignore, the musicianship & unique sound of the band surprisingly cut through stage and show.

Ghost B.C. played to a packed Turner Hall Ballroom in support of their new album “Infestissumam” just released last month. The show moved along swiftly and the sound was very well matched to the albums. While the music is referred to by some as “doom metal,” I felt it had much more of a vintage sound in instrumentation, akin to Black Sabbath, but with a modern, produced vocal approach. A very encouraging sign for hard rock these days, as the melodic vocal gives the the band a strong mainstream appeal, and the interweaving guitar & keyboard sounds that are just heavy enough lead to a vintage vibe.

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FLYING LOTUS AT TURNER HALL

Captain Murphy-5.17.13Born Steven Ellison in Los Angeles, he is now known as the resident beat-maker Flying Lotus. Other aliases include LunchPail, Juno Leed and most recently Captain Murphy. Not only musically sophisticated, Steven Ellison is also the descendant of saxophonist John Coltrane, I suppose, it’s no wonder he is.

Friday May 17th a hoard of lucky Milwaukeeans gathered at the historic Turner Hall ballroom to experience Flying Lotus, Thundercat and Teebs. The occasion marked the label-mates first appearance here in the Brew City.

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BAAUER LIVE AT THE MIRAMAR

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Brooklyn native, Baauer’s first trip to Milwaukee was met by a sold out crowd of bass-hungry kids eager to see what tunes this young Selektor would proffer. Strehlow and Bareenz began the night, setting the trap-bar high. It was clear that these young Milwaukeeans were enjoying themselves. The added animation behind the ones and twos was a comedic plus. Local DJs Why B and DJ Bizzon continued the hip-hop happiness. Antics and electro beats whipped the crowd into a thick lather.

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LEGALIZE OVEN CLEANER: HEAVY HAND, LITTLE OTIK & CRAPPY DRACULA

The Cactus Club has served as the venue for many album release parties, and last Saturday night was no exception. The show was running a bit late as people wandered in, but that didn’t stop anyone from digging the T. Rex pumping through the speakers while waiting for another gin and tonic. Continue reading

MENAHAN STREET BAND & DE LA BUENA AT MAD PLANET 11/15/2012

Written by Sean Williamson

Last Thursday the Mad Planet played host to a collective of musicians who know their instruments better than most and music that strikes listeners’ core, even without a vocalist. Brooklyn’s Menahan Street Band & Milwaukee’s De La Buena was a great pairing, bringing together bands with different musical roots, but the same ideology on the stage and intent to the listener. One could not help but move, as grooves and horn based melodies were consistent throughout the night, fading the gap between latin jazz & afro-beat. The show was put on by Tap the Masses, an organization founded by Peter Adams of East Town Association, who has a knack for putting together great events from front to back.

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JIMMY AT THE PROM & ELIXIR ON MUTE AT CLUB GIRABALDI

On a cold, blustery night on the eve of Halloween, Club Girabaldi was about to be beset with a siege.  With the remnants of Hurricane Sandy causing 15 foot waves just blocks away, there was a musical fury whipping up inside Girabaldi’s walls.  Milwaukee’s Jimmy at the Prom played host to Boston’s Elixir on Mute.  Elixir on Mute came to the stage with instruments and presence set to blitzkrieg.  They wasted no time in showing why they have been
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MKE UNPLUGGED FEAT. THE MIDWESTERN CHARM 10/11/2012

As I’ve discovered more & more over the past year, one of the most diverse and hidden music venues is one of the most well known places in town, UW-Milwaukee. The impressive music program at the Peck School of the Arts goes beyond education in the common sense by offering free concerts open to the public and a new live music series featuring local talent. MKE Unplugged which is held at the Helene Zelazo Center, kicked off on September 20th with Trapper Schoepp, the lead singer of Trapper Schoepp and the Shades, who played a solo set. On October 11th, Unplugged brought The Midwestern Charm onto the stage to play a stripped-down, acoustic set for students and fans. As the Oshkosh/Milwaukee homegrown rock outfit usually tends more toward the loud, I was excited to see a different, intimate side of their music.

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CIGARETTES AND CAFFEINE NIGHTMARES RELEASED!

Under The Hotel Foster (HoFo for the hipsters amongst us) stage backdrop of a Betsy Ross flag, two deer heads and Caligula’s bust, Hero Jr. (Indianapolis, IN) fired the opening salvo of the Delta Routine’s much anticipated Cigarettes and Caffeine Nightmares release show.

Hero Jr. was a band of few words so they got right into the music. They started with the chugging and propulsive garage pop of “Everybody Needs” and then played a ballad but kept it aggressive. Lead singer/guitarist, Evan Haughey, had a voice well-suited for pop rock, almost in the Rob Thomas vein, but with more bite. The ballad featured a searing guitar solo from lead guitar player Ken Rose that had him swinging his entire body around. Next up was the welcome change of pace tune that could have been called “Suzette.” This one featured a pulsing rhythm that bodies cannot help but to move to. The chorus of the song also featured hyper rhythmic vocal phrasing that brought to mind the chorus of “Erotic City” by the purple one himself, Prince. They closed with the up-tempo driving runaway train of “Shake It Out” and when they were finished, they thanked the crowd for moving with them.

The Delta Routine, rightfully so, took the sweet spot of the evening and singer Nick Amadeus came out in his almost-signature stripes and sunglasses with ample charisma. They played the new record front to back which made for a thrilling look into the band and its process. The opener “Waste Your Time” was a blast of pop rock fury that made it evident that nobody in attendance would be having their time wasted by watching this group. This was followed by “Cigarettes and Caffeine Nightmares” which was lifted up from the start by its catchy “Bah Bah Bah” hook. This one seemed to be a distant, more sophisticated cousin of “My, My” from their earlier release Donna. Next, was the somber “I Wait Alone.” This was an example that principle songwriter Amadeus has grown in comfort with sharing the full context of his life with his listeners. The single “Switchblade” was next, which sported a rhythmic chord progression which evoked the Peggy March hit “I Will Follow Him” with copious amounts of distortion added in. The song was an anthem because everyone needs to hear, “Give ‘em fire, give them hell” every once in a while. They then cruised into “Don’t Wanna Let You Down,” and this tune was held down ably by drummer Kyle Ciske’s stuttering backbeat. It was a knowing tale about how it can be easy to hurt the people that you love and trying to fend off that fate. At this point the out of control packed HoFo crowd was taking it all in as their bodies were in a constant state of sway to the music. “New York Avenue” employed plenty of menacing atmospherics from lead guitar player Victor Buell IV in lieu of the cello part from Peter Thomas (I’m Not a Pilot) on the studio version. This combined with the moody organ work of Al Kraemer really painted the song in a different hue. They then took the tempo back up with “Oh, No”; here Amadeus operated with a snotty imaginative melody that danced over a 50’s style beat. Bassist Evan Paydon shined through this tune with his easily acrobatic bass line  Delta Routine then finished up their set with “People Like You.” Bassist Paydon created a silky smooth bass line that Amadeus utilized to ponder the idea of if there could ever be a point of success where you do not have to worry about fake people. Band hype man Keegan Wenzler then got on the mic and asked the crowd if they would like more. The crowd’s response was already boiling out of the pot before he got up there so the Delta Routine obliged and tore right through the Elvis Costello riot “Pump It Up.”

The night ended with the uncontrolled mayhem of We Are Your Father. They wasted no time getting into the madness with a sludgy song where lead singer Wolfgang Luethy showed of his sneakily agile voice. Next was “The Cowboy Song” that churned along bursting into a great ear-worm of a wordless chorus. The song culminated with the line, “Walk out on me and you will see who I can be” shouted at the top of their lungs and the crowd could not help but be frenzied. The welcome assault continued with “MPD”, a song that reads as the band’s calling card and manifesto. It is a slow building jam that winds its way to the titular primal scream “We Are Your Father!” Those in the know among the crowd screamed right along with them. We Are Your Father played hopscotch across the genres throughout their set. One song had a psychedelic opening that would sit comfortably next to “Maggot Brain” by Funkadelic. Lead guitarist Craig Baumann got to take front and center to move this one along. Bassist Ryan Alby then took over the vocal duties like a fist of granite during “Six Foot Sexy.” The crowd found the dance floor and got down to business. Up next was “Sarge”, which showed that Luethy has a way with obtuse inventive guitar riffs. Ted Fleming’s drumming was full of chaos and beautiful in all the right ways. This one had the crucial lyric, “Up in the morning with the rising sun, run all day until the running’s done.” It is plain spoken poetry that anyone can relate to. They ended the night with the brash punk tinged “Left for Dead” or for those who like inside jokes, “Breakfast Ted.” The crowd gave We Are Your Father back all of the energy that they had sent out from the stage. Be on the lookout for their forthcoming album recorded down at the Riverside Theater. The Delta Routine record release show was full of Milwaukee’s beautiful people and bursting at the seams with talent. Everyone who attended was sent out on an ecstatic jet stream to finish out the work week.

STONEFLY COMEDY SHOW OCTOBER 8th 2012

Having 13 people performing on one stage in the same night can be a significant challenge to any promoter. Particularly if half of those people are comedians and require the attention of everyone one in the room to be effective. However, Ryan Holman has quite a bit of experience at comedy/music fusion and has certainly found the equation for success at this point. Step one: Book bands that can absolutely captivate even the most passive of audiences; Step two: Find the perfect mix between local and out of town comedic talent; Step three: Find someone to MC the show leaving yourself feel to handle anything else that comes up.

Although I listed it as the 3rd step having another person MC the event is a great place to start. Lara Beitz did a great job of MCing the even. She opened up the evening with a few minutes of her own act that got the night off and running. After joking about getting attacked in Riverwest and saying the best rape defense would be to mention your AIDS medication, Lara introduced Ryan Mason. Ryan suggested that the scariest guy in your neighborhood would ride a children’s bike, wearing pink bows in his hair. Next, having recently won the Milwaukee’s Midwest Comedy Competition, came Dan Ronan who, as a recovered drug addict from Chicago, commented that the closest he ever gets to the rush of drug use these days was Nyquil. Also from Chicago, Jonah Jurkens provided the ultimate exclamation point to the first part of the show recounting a jealous fantasy about his girlfriend as a Fantasia fountain of fifty dicks. I’m sorry if you don’t understand what that means, I guess you will have to see Jonah in person to find out.

And as long as I am suggesting your future entertainment possibilities I can not speak highly enough about the first band that played Way Yes (check out wayyes.com to find out more). This four piece band out of Columbus, Ohio brought it with a high energy albeit short (25-30 minutes as to fit the flow of the evening) set. Way Yes brings an intriguing mixture of Calypso and rock’n'roll together through their use of prerecorded samplings, and their stage instruments including two guitars and two drummers which allows them to bring a lot more of a powerful sound to the stage than perhaps the previous description implies. Recording all the samples themselves, with a few other musician friends, the band was quick to distance themselves from the word “sampling” when I approached them after their set, not wanting to be grouped with artists like Girl Talk who as fun as they can be are really just pointing and clicking on a Macbook on stage. And rightfully so, the talent at work on stage is definitely worth your time and a couple internet clicks if you ever get the chance.

After a short break Lara Beitz got a second crack at the audience telling several more jokes before bringing the Host Ryan Holman to the stage. He was clearly excited to be able to focus on his comedy having just come off of hosting the aforementioned Milwaukee’s Midwest Comedy Competition. Ryan’s admittedly hairy body and less than triathlon fitness sets the backdrop for much of his comedy. From his proposed company “Head and Shoulders, Knees and Toes” to the visualization of giving a raspberry to his hairy torso, Ryan brings a witty blend to his stage presence. Finishing off the comedy section of the night, Tony Tudor takes a somewhat different approach to comedy often leaving the audience muttering “that is so wrong” or “I can’t believe he said that”. Bringing the audience to tears of laughter at times Tony Tudors mixture of pedophile and masturbation humor hits on the darker side of humanity while leaving most in the audience happy to be laughing about such dark topics.

The final performer of the night was Wisconsin’s own and West Bend product Blessed Feathers who, with their unique blend of melodic guitar and banjo strumming along with beautiful harmonies, felt like an outro to the rest of the evening. Although contrasting with the rest of the performers in tone, and despite having gotten a chance to record in New York with Thor Harris (Swans, Shearwater), and with songs about Florida Blessed Feathers do not feel like some far off unrelatable act. Their captivating performance that included a four day old song showed them for exactly what they are: The perfect companion to a Wisconsin autumn. Check them out at blessedfeathers.com or when they return after several weeks of touring, which includes a handful of shows in New York, for a Oct. 25th show at Club Girabaldi with Seawolf.

SOUND VISION CONTINUES AT THE HOTEL FOSTER

Tonight, as part of Sound Vision, the Hotel Foster hosts the vinyl release of Kyle Feerick’s new album. It features various local artists including Sean Williamson and Peter Thomas. I’m Not a Pilot will kick off this night of fantastic music. If you took in a film today from the Milwaukee Film Festival, make sure to bring your ticket stub for free entry to this show.

Wednesday brings us The Ragadors, Hewn (of Madison), and a band that has quickly become a local favorite, Kane Place Record Club. Doors open at 9pm and The Ragadors might just have something new up their sleeves, so check it out.

This Thursday the Hotel Foster will play host to another release party when the Delta Routine releases their newest album, Cigarettes and Caffeine Nightmares, with local band We Are Your Father and Hero Jr of Indianapolis. The buzz surrounding this album is as far reaching as England, so this is a show not to miss. The Delta Routine will soon be on the road, so be sure to check out their upcoming tour dates, some of which include Hero Jr.

Visit milwaukeefilmfest.com to look at movie reviews and show times. Details about Sound Vision can be found on the Facebook event page: http://www.facebook.com/events/351035994988262/