Monthly Archives: May 2012

THE ARCTIC MONKEYS & THE BLACK KEYS AT THE BRADLEY CENTER 5/16/12

The struggle that any band faces when they play a weekday show is whether or not the crowd is going to be pumped enough for a rock show on a school night. Luckily The Arctic Monkeys and The Black Keys didn’t suffer from that at the Bradley Center last Wednesday where the crowd came with weekend enthusiasm.

Although it wasn’t exactly like they really ever had a choice. High energy opener The Arctic Monkeys basically forced people to rock out. Their very unique style of fast British pop is definitely the type that gets people out of their seats and gets them moving. And if you ever thought about taking a song off to recover, lead singer Alex Turner got right in everyone’s face about it, constantly urging the crowd for more. The Arctic Monkeys brought the house down when they played “Fluorescent Adolescent” of their 2007 album “My Favorite Worst Nightmare”. They left the stage to thunderous applause and chants of encore, but the curse of being the opener is that you get the crowd to the point where they want more, but you don’t get to give it to them.

The Black Keys definitely gave it to the crowd and were on their A game. Not only did they put on a stellar show with ravenous percussion and toe curling guitar riffs, provided by Patrick Carney and Dan Auerbach respectively, they also had an excellent stage show to boot. The stage show included: a big screen behind the band that projected a 50 foot drum kit and 50 foot Dan all in red on the side of the stage, two giant disco balls which turned the Bradley Center into a disco for the encore, and warm flood lights that at times strobed along with the beat of the music creating an amazingly visceral experience. Finishing their set with “Tighten Up” and “Lonely Boy”, there is no wonder why the now frenzied Bradley Center crowd didn’t sit down until they came back for their encore, returning to the aforementioned disco balls. That feeling you get at the end of a great show that rocked you to the core when all the lights come on and you turn around not really wanting to leave is what The Black Keys have been leaving fans with for the better part of the last decade, and it is what has made them one of the best touring bands around. They don’t disappoint. Ever.

A TAKE ON “GREAT IDEAS IN ACTION” BY ARCHIE POWELL & THE EXPORTS

Archie Powell and the Exports new album “Great Ideas in Action” was recorded at The Mystery Room and Howl Street Studios (both in Milwaukee), and has a “special thanks” section in the album jacket where they thank over 20 people, Canada, and “ALL OUR FRIENDS AND FAMILIES/ ANYONE WHO HAS EVER LET US CRASH ON THEIR FLOOR, COOKED US A MEAL, BOUGHT US A BEER, SHOWED US AROUND TOWN OR DANCED AT A SHOW/YOU”.  This kind of sentiment of unabashed gratitude to everyone they know, or have ever partied with is a very refreshing one, and makes them a rare combination OF talented and humble.  

Their new album “Great Ideas In Action” has the thematic element of insanity with obvious references to this in songs ranging from “I Need Supervision”, “Crazy Pills”, and “Shooting Spree”.  The whole disc comes across as almost a concept album playing off the adage of “the definition of crazy is doing the same thing over and over again expecting a different result”.  This along with underlying themes like impatience, conformity, and the repetitive nature of life this album paints a picture worthy of a “One Flew Over the Cuckoo’s Nest” comparison.  I really believe that this album’s larger goal is to discuss how difficult it is to remain sane in the ever increasingly crazy world. 

If you need more evidence for the aforementioned themes look no further than the carefully constructed lyrics.  All the way from the more apparent references to insanity like: “what you really want is to keep your right to remain insane”, “its such a freak show you might pull it off although I don’t think so”, and “I need my privileges taken away”; to the more subtle “you know what they say about Rome these things take time” and “keep your head above or be subdued, you know you are halfway dead no matter which you choose”.  The wonderfully accessible writing will draw you a little bit deeper with each successive listen.
 
The music kicks one song into the next with a very driven pace due to the percussion from RJ Export (drums) and Adam Export (bass).  The more delicate musical elements are wonderfully interwoven by Ryan Export (keyboards) and Archie himself. I’m going to take a moment to mention that none of the band members have the last name of Export, and while I’m at it Archie is not really Archie either (his name is Nick).  Having seen them less than a week ago at Record Store Day, I also want to share that Archie sings into a microphone stand that has a normal microphone and a telephone receiver attached for those occasions where a rougher sound is desired.

This whole album kind of makes me think of Archie in the midst one of his angsty rants, that is seen all the way through this album, wearing a straight jacket in the middle of a padded room just freaking out.  An image I probably got from their music video for Crazy Pills watch it here. I’d like to think that it was intended by the band, but at very least you are going to be listening to the album looking for that image. With an album that isn’t just satisfied with catchy lyrics and poppy cords but intent on sending an overlying message, Archie Powell and the Exports have made a product that is sure to reward listeners no matter if they wanted content or carefree enjoyment.

MEET ANTIOQUIA {An-tee-OH-kee-ah} @ CLUB GARIBALDI MAY 26

One of the most enjoyable aspects that comes with Local Playlist, is that moment when you get to experience something so rad and new to you with out any prior expectations. In my particular case, I put myself in the middle of that type of situation all the time because I’m a live music junkie. And good reason. Last weekend was full of those moments to discover a new sound at the Jam for Jam music festival. Because of the intimate setting of the show, I was able to meet Antioquia after being blown away from their set. Fortunately, I learned they had a show coming up on Saturday opening for De La Buena at Club Garibaldi in Bay View. A week later, and a few more shows deep, they are back in Milwaukee. I say back because two members from an-tee-OH-kee-ah are originally from Milwaukee. I sat down with Craig Miller and Rachel Antony-Levine on Friday to learn a little bit more about their journey.

Craig Miller, drums and vocals, is originally from Milwaukee but has been living in other parts of the world such as Quito, Ecuador. There, he met fellow musical partner Adley Penner. The two of them started a journey though Ecuador to Columbia and picked up on some traditional drumming styles of the culture. Influenced by their music, they eventually ended up in San Francisco to form what we know now as Antioquia. Also in the group, Paul Martin, Rachel Antony-Levine and Tomas Salcedo. Rachel and Tomas are the newest additions to Antioquia after ironically merging their lives together with a ceremonial commencement as well as with the band. Since, they have been touring all around the nation promoting their latest album. Viajero, released in May 2012, is well produced, unique and full of passion. Mixing rhythmic sounds with amplified baritone saxophone, bass, electric guitar, and violent female vocals, this has to be my newest favorite album to cross paths with. Viajero, has another featured Milwaukee musician. Jesse Sheehan, from Milwaukee, recorded their album as well as plays saxophone on it. Some might remember Jesse from De La Buena some time ago.They are a unique sound encompassing traditional rhythms from Columbia and influences such as Primus, Phish and Talking Heads. Show some Milwaukee love and check out the show tonight, it starts at 9:00pm.

For a quick taste, watch their newest video

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THE MIDWESTERN CHARM AT LINNEMANNS 5/18/2012

The Midwestern Charm has been one of my favorite bands around for a while now. So I was thrilled when I heard their long awaited self-titled album debut, The Midwestern Charm, had been finished and set for release. The group has been playing all over the state for years; making a name for themselves with catchy American tunes and killer live shows. The album was released on May 18th at Linneman’s Riverwest Inn, a landmark venue in Milwaukee for album release parties. Ikarus Down and Tim Schweiger & The Middle Men also shared the stage Friday.

Charm’s singer, Connor S. La Mue, is a gentle giant with a clear voice. On the new album he deals with themes of love, heartache, discontent, small town blues & a longing to move on. Recently he’s made the transition from his acoustic guitar to an electric one during live shows. Their new material has a darker/harder punch to it, yet still retains their early pop sensibilities. The mix between Connor’s meaner chugs with lead guitarist, Ryan McCrary’s creamy toned solos really color each song.  The group’s rhythm section is made up of Steve Sampson & Ryan Gracyalny. Both used to play in a pretty dope punk band from back in the day: Patterns In Static. You can tell they have been playing together for years. They really share a sense of dynamics that the plow through each tune, accenting with sudden stops & hard hitting explosions that make any bar crawler raise their glass & cheer.

Aside from the jams their playfulness on stage really made the set. Exchanging looks & laughing at one another’s solos:  you can really tell these guys are friends & love what they are doing. They play so well yet don’t take themselves too seriously. It’s really all about the music & good times. No bs.

Download their album on ITunes, CDBaby and Amazon.com or buy a copy at most Exclusive Company stores throughout Wisconsin.

Recommended key tracks off the album: Moving Out/ Never One For Dancing (52909)/ Mi, Amor

OLD AMERICAN JUNK “HOME” ALBUM REVIEW

 If someone asked me to say one sentence to describe Old American Junk’s LP “Home” I would say this: Home is 10 songs and 42 minutes of Americana that injects style and energy and peaks with euphoric results in songs like “Vagrance”, “Runaround Man”, “Infinite Game”, and “Save it For Another Time”. And if someone asked me to write more than a sentence I would write this:  Old American Junk serves up a very tasty slice of Americana along with a side of crisp vocals and delectable jams almost good enough to eat, but you don’t eat it you listen to it here, but I digress.

Old American Junk is a band out of Madison and includes the musical styling of Shane Hardwicke, Tim Patterson, Drew Hicks, and Aaron Zepplin.  Shane Hardwicke is listed as a honorary lifetime member of the Cool Waters Band. I only add this because Cool Waters Band was one of the favorite bands of the flocks of hippies I went to school/ hungout with in Stevens Point the better part of a decade ago, so he has been making music for a while now and it shows.  Old American Junk has musical influences that include CSNY, John Denver, Blues Traveler, The Grateful Dead, and Bob Dylan. 

The mature cadence that Shane Hardwicke uses to deliver Home’s wonderfully crafted lyrics draw you along as the album is blotted with colorful songs that paint a picture of the idea of home through imagery of wandering and traveling as it contrasts to the comforts of, and longing for that place we call home. The use of the of the keyboards in songs like “Runaround Man” sets the tone of the music right off the bat giving it an almost Dr. Teeth and the Electric Mayhem feel, and I hope you know I intend that as the most sincere compliment (see the video here). Moving Right along, the album also prominently features the Harmonica and slide guitar giving it a twangy feel that would feel at down south. No matter where this album lands it is sure to find itself at home. And if someone asked me when is Old American Junk playing their next Milwaukee show I would have to tell them I don’t know, but I’ll be there!

Check out Old American Junk’s website to get the new album, see tour dates and much more!

THE MIDWESTERN CHARM’S FULL-LENGTH ALBUM REVIEW

The first time that I saw The Midwestern Charm play was last summer on an impromptu road trip to Green Bay with my mom to see two of our favorite Milwaukee bands. Despite only hearing a couple songs at the tail end of The Midwestern Charm’s set, I was impressed & made it a point to look up them up a couple months later and was pleasantly surprised to find out my friend Jonathan Ferrer was producing their new album at Mystery Room Studios. Already familiar with Jon’s production level via his band Ikarus Down, I was curious to see his collaboration with Charm’s more country-tinged brand of rock.

The final product was released on April 20th, a three year long journey for the band, filled with more than the usual slew of hiccups & roadblocks. The album seems like a journey in itself, a collection about love & loss, from one end of the emotional spectrum to the other, from romantic declarations to the flirty & upbeat to bitter breakup songs. When I spoke with lead vocalist & guitarist Connor S. La Mue, he said it was strange to put out an album of songs that he wrote three years ago, as the lyrics represent how he felt then not now. To me this actually makes the music more interesting, a sneak peek into someone’s mind at a very different point in their life, akin to opening a time capsule of a not so distant past that seems like ages ago to those who experienced it.

The Midwestern Charm is made up of Connor S. La Mue on vocals and guitar, lead guitarist Ryan McCrary, Ryan Gracyalny on drums and bassist Steve Sampson. The band was formed in 2009 in Oshkosh where all of the members except for Gracyalny live. Their name is fitting to the honest, down home nature of their sound, an mish-mash of alternative, roots rock and folk. Despite the recent album release, the band is looking ahead to the future and plans to follow up with an EP of newer songs later this year, obviously knowing that the way to stay successful is to stay progressive. Their next show is tomorrow night at Linnemann’s Riverwest Inn with Ikarus Down and Tim Schweiger & TMM. Here’s my take on some of my favorites off their thoroughly enjoyable debut full-length album.

Tracks two and three (Movin’ Out and Never One For Dancing respectively) really feel like one long song, the ending and opening notes blending seamlessly together. Movin’ Out is upbeat, punctuated with classic guitar riffs and a perfectly placed vocal harmony while the drums and rhythm acoustic guitar maintain a folk vibe that just skirts the border of country. The vocals are so energetic that it’s easy to miss out on some of the snarkier lyrics like “You went out of your way, to rain on my parade.” Almost three minutes in, the last guitar riff of the song sounds and without skipping a beat, the next track starts.

Smoothly transitioning into a slightly slower song with a more bitter tone, Never One For Dancing clearly paints the picture of a past love that ended badly, signified by darker lyrics “You are not sorry, just cut me down again. And there’s this hole in my chest that’s getting so large…and so fucking hard…to fill.” La Mue’s delivery of these powerful words perfectly conveys the emotion felt behind them, with his band backing him up, their chords and harmonies also portray the sadness here. The song ends on a hopeful note though, with the ending lyrics, “That’s what I needed….set me free.” I connected easily with the song (as I imagine others will) as I know all too well that when someone really hurts you, it’s almost easier to move on, as the betrayal is blatant.

When We Were Young is a slower, nostalgic ballad that reminisces on good times of the past, sprinkled with the euphonious sounds of a pedal steel (played by Matt Keon on the album) in the background, one of the most beautiful instruments to listen to, used prominently in folk music. The guitar notes are deliberately picked and delicate whistling can be heard, both accentuating the wistful vocals and stripped down tone of the song.

Track nine is Keep Me Warm and gets closer to pop-country than the rest of the album to my untrained ears. Twanging guitars and flirtatious lyrics such as, “Maybe I should go to New York. Where I can spend my time looking for a fine, little gal to spend my nights with.” emphasize the cheerful mood, keeping it fun and lighthearted. Featuring two guests, Ian Olvera on organ and Matt Keon on pedal steel again, their contribution never takes away from the band members, it only highlights them.

Better Days once more uses whistling in the background to solidify that rural, folky vibe present in the entire album, as well as several vocal harmonies that expand the scale and scope of the song. The rhythms of the song are so bluegrassy and buoyant that you can’t help but whistle along as you sway from side to side. This song showcases yet again The Midwestern Charm’s ability to mix sugary melodies and vocals with sharper, fiery lyrics, with each balancing the other out, sweet and sour. Clever words like “So when you’re done, impressing everyone…I hope you realize your goddamn mistakes. And when you preach, what you believe, don’t you ever think of me, no.” not only proves the band’s talent at songwriting but at conveying honest, true feelings.

All in all, the entire album is well put together, emotionally driven and never gets too country or too pop, always maintaining a folk-rock vein and laid back attitude that is so very indicative of the welcoming personality of the Midwest. Connor La Mue told me when he gave me the CD that if he could say the album is one thing, it’s definitely heartfelt and I can’t help but agree. Produced by the band & Jonathan Ferrer, mixed by Landon Arkens of Blast House Studios & mastered by the ever talented Justin Perkins of Mystery Room, this debut release has its own unique sound and I personally can’t wait to hear more from this talented group of musicians. Grab a copy at any of their live shows or download it on ITunes, Amazon and CDBaby, trust me, you won’t be disappointed. Check out their website or Facebook page for updates and don’t forget to swing by Linnemann’s tomorrow to hear them for yourself!

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JAM FOR JAM MUSIC FESTIVAL HAPPENING THIS WEEKEND

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Summer is approaching us again! In my personal opinion there is no better way to start it off than to go visit Jam 4 Jam this weekend at the Concord House in Sullivan, Wi. Before you think this is just some small music festival, there is more behind this event than meets the eye. Jam for Jamaica is a coalition of like-minded groups and individuals who use their creative and financial resources to improve the living conditions in communities of need in inner-island Jamaica. Musicians like Craig Baumann and Ryan Ogburn (of Honest Monday) make a yearly trip down to Jamaica and work on homes in need of repair mostly due to poverty and environmental damages. To find about more about the work that has been done over the past years, visit their website.

Another unique factor about Jam 4 Jam is the versatility of the line up this year. Over three days (May 17th-19th) a variety of bands from I’m Not A Pilot to Cosmic Railroad will be performing. Most of this year’s acts are local to Milwaukee so it’s a sure guarantee to experience the familiar with a taste of something new.

Line Up:

Thursday, May 17th
7pm Boney Fingers
8:15pm I’m Not A Pilot
9:30pm Venice Gas House Trolley
10:30pm Mike Brumm
11pm Circle of Heat
12am XL Big feat. The NightKrawlers
12:30am Ifdakar

Friday, May 18th
noon Jam Funk AllStars
2pm Recalcitrant
3:15pm The New Fuse
4:30pm Undercover Organism
6pm People Brothers Band
7pm Soap
8pm Metal Minstrel
8:30pm We Are Your Father
9:15pm Sean Shiel
9:45pm De La Buena
11pm Colin O’Brien
11:30pm The Fatty Acids
12:45pm Smokin’ Bandits

Saturday, May 19th
9am Chicken Wire Empire
10:15am Danny Miller Band
12pm Sonny Stubble
1:20pm Ethan Keller Group
3pm Honest Monday
4:20pm Muddy Udders
5:45pm Moloko Shivers
7pm Alpha Transit
8:15pm Ethan Keller (solo)
8:45pm Roster McCabe
10pm Mesdames Dulcet
10:30pm Antioquia
11:45pm Melonheads
12:15am Cosmic Railroad

This year, look for Local Playlist’s Anne, Jordan and myself! We will be camped out with a tent and conducting band interviews as well as taking pictures of all the shows. If you haven’t purchased a ticket yet or are looking to do so, they are still on sale at the gate when you drive in. They are $65 for the full weekend or $15 Thursday, $25 Friday, $35 Saturday and $5 Sunday which is only the parking charge. In addition to the music and wilderness fun that comes with out an outdoor festival, there will also be local vendors set up between the outside courtyard/ camping area and indoors.

This year is going to be a blast and I’m personally looking forward to seeing all of your faces! (and maybe your dance moves)

TWEED FUNK ALBUM RELEASE AT SHANK HALL ON 5/11/2012

Tweed Funk Serenades with “Love Is”

On May 11th, Wisconsin’s R&B/Soul artist of the year, Tweed Funk, released its sophomore album, “Love Is”. The release concert was held at Shank Hall, on the lower East Side.

Older folks sat at tables, docile and waiting for the show to start. I sat at the back bar, overlooking the dimly lit floor and stage. Beside me was a graying man, wearing a blue polo and corduroys who grinned and spoke with a beer soaked breath. When he wasn’t trying to take the bartender home, he’d pat me on the back or shake my hand. He was telling me that I’ve got to get down to Kenosha and check out this car dealership.

I thought I was spending a night with my friends’ parents. I was sure it was going to get a little awkward. But what’s better than being part of something weird? Being part of something funky.

I was becoming a citizen of the Tweed Funk Nation.

To see as many highly talented people in one band is rare. You know you’re witnessing something masterful when its delivery is made to seem so effortless. Which explains why Tweed Funk has only been a band for two years and has gained international radio play, booked renowned venues like the House of Blues, won a WAMI and released a second album like “Love Is”.

Tweed Funk’s “Love Is” is a luxurious ten-track ride. It ignites on its first track, “Fine Wine,” moving with swing rhythms, JD Optekar’s rocking guitar riffs and solos, horn and sax accompaniment, and keys.

Its subsequent tracks shift into the slower tempos of the blues. These tracks showcase Smokey’s vocals. Along with the band’s rhythm, Smokey’s voice is both powerful and smooth. It’s hard for the listener to follow these sounds and not close their eyes and sway their head.

This album is spacious, holding room for all of its members’ skills, like “Smooth Taste” and “All Over You,” which highlights the addictive percussion of Marcus Gibbons, and the walking, slapping, and sliding of bassist Donnie Mac.

“Love Is” ends with the track “Sex Machine,” drawing upon the sounds of James Brown for its vocals. It shows the luxury characteristic of timelessness, or classic quality that comes with sampling one of its genre’s gods while still pulling away with the band’s sound of its own.

With this being only its second album, Tweed Funk shows no signs of losing momentum. That’s why I urge you to visit their site, check out their new album, and hear why they’re at the top of their genre in Wisconsin. It’s the next best thing to seeing them live and becoming a member of the Tweed Funk Nation yourself.

 

YOUPHORICLOTHING KICKSTARTER & LAUNCH PARTY FEAT. LIVE MUSIC FROM SHOOT DOWN THE MOON: A SENSORY OVERLOAD

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Cultivating through their first set, Shoot Down the Moon, a local Milwaukee indie rock/folk band with a pleasingly rustic sounding attitude, unwrapped an evening of fashion and composition. Hosting the FREE YouphoriClothing Kick-starter Launch Party May 10th was Yield Bar, located on 1932 E. Kenilworth Place right here in Milwaukee.

This recognized tavern venue holds a sepia toned characteristic with golden dimmed lighting. Encumbered with show fliers, band photographs, and other music related arts, this relaxed hangout provides a spacious place to honor such an event. Raised above the stage floor are the main bar and lounge area fit with comfortable seating options lining the outer walls and a mini arcade, concealed near the restroom area. The bottom level and venue portion is equipped with darts, a stage, and stunted saloon region. Outside, the smoker’s station is prepared with multiple seating arrangements; and if put in plastic cups, customers are granted permission to enjoy their beverages outdoors!

Utilizing the lower bar section, the YouphoriGirls fashionably situated their merchandise including: handmade jewelry, one of a kind hula hoops, and assorted recycled clothing items. Helpers, including Hannah Barth, assisted the girls in manning the stand when the stars of the night were desired elsewhere.

Prior to the fashion show, Mary Inderrieden, Ariel Tucker-Jones and Ashleigh Fischer, these focused, humble, Wisco-hunnies displayed their Kickstarter Video highlighting their freshly embraced clothing and accessory line: YouphoriClothing. Moments later, the YouphoriCrew seamlessly installed a makeshift runway in minutes.

Keeping to a fixed agenda, this troop wasted no time sending out their first model onto the runway. Behind the scenes, fashion coaches, makeup artists, and stylists assisted in the flawless operation that evening. The procedural aspects of this event showed sound signs of preparation, organization, and genuine enthusiasm. The models all held a level of professionalism that was unquestionably noticed by the audience. Whether friends, family, or volunteers these human mannequins represented the YouphoriClothing Company quite authentically by displaying proficient strides, tranquil stances and textbook gyrations to demonstrate the items worn.

The variety of items exhibited in the recycled fashion show consisted of Hoodie-Packs (which is a condensed backpack with versatile hood), painted tights, Chilla Tops (secure, yet comfortable, breathable, swim suit-esque tops), leg and arm warmers, and a complete line of menswear incorporating tie dye and patchwork designed attire, comfy, breathable leg wear, as well as many other multi colored and textured fabric articles.

With the creators, designers and management being thoroughly involved in the music scene, their creations will more than likely find their way to countless music festivals around the nation. Perfect for various climates, these girls have an ample line of multi-seasonal attires.

The YouphoriClothing line’s style or their method of approach incorporates several wardrobe categories. They demonstrate a funky, exotically wild, outlandish characteristic in the choice of get-ups. Without labeling their distinctive inimitable practice, the general public might categorize their line of dress as modest hippie swag. My personal categorization of their design construction would be defined as: SPUN-ky.

However, these girls show passion and dedication in their trade, and the products aren’t your run-of-the-mill garments you can find in mass quantities in sizes ranging from: hipster through couch potato and color variants ranging from: ‘tangerine tango’ through ‘sweet pink lilac’ like at commercial clothing outlets such as American Apparel or Urban Outfitters.

With their assortment of designs being reasonably priced, for the amount of time and effort that goes into each hand-crafted article of clothing; their collection appeals to a manifold of diversified tastes in clothing. Amongst the eccentric flavor, and talented zest, these three young ladies turned a pessimistic idea into a confident production.

The fashion show was deemed a blissful success. Portraying levels of “orgasmic sensory overload,” the last of the runway models ushered themselves back to the starting blocks to engage in a group showdown before the YouphoriGirls made their final statements of gratitude to all involved and displayed emotions of triumphant achievement and welcoming back to the stage, Shoot Down the Moon, for their second and final set of the night.

Each member adjusted their settings, and assumed positions and without hesitation broke into a synchronized thrash jam with all three guitarists heavily plucking away, the bassist mercifully twanging in intense strides, and the drummer utilizing every thumping pulsation to its’ maximum potential. It was like being angst-ridden…but in a positively, pleasant manner.

Rumbling out of this forceful, yet passionate sequence came sounds similar to that of a Harley-Davidson biker gang leaving a hangout. Motorcycle-like hums and bell and horn sonatas blared through the Yield Bar sound system producing a sharply pungent array of original, out there sounds. This group’s experimentally progressive and deep toned harmonized style solidifies their independent formality in the ability to switch pace from a labeled Indie Rock tone to a naturally alternative jam-funk tenor.

Bassist Jon Taglienti booted off his shoes, and began running in place with an unconcealed smiling grin on his face as he went for the comfort approach on stage during this YOUphoric twilight! Each member essentially played their own independent portion of each song and then simultaneously brought their conglomeration of noises together without clashing. With a five piece group in a smaller venue this can be a tricky task, especially when three guitarists are playing in sync but Jake, Fizz and Justin pulled it off. The bassist mediated each segment by providing a constant picking to control the madness. Drummer Zak Ihlenfeld held a more simplified approach for certain portions of the show in order to not add complicating distractions to the already untamed emotions being conveyed by the others.

For a few breathtaking minutes it seemed as if none of the five individuals on stage ever gasped or slowed down below the ‘as fast as we can go’ speed. A non-stop steady flow of cultural melodies held this constant, almost cheery, overwhelming sense of feeling. This explosive derailing effect planed out venturing into a spacey momentum revealing a groovy transition, again highlighting their versatile experienced multi-genre abilities.

Their witty and somewhat dark form molded into a harsh surge nearing the conclusion of the performance. The steady rush filled perspective geared down to a whiny drawn out or stretched consistency with fluent, powerful vocals. The instrumentals began to tone down, and the dramatic guitar riffs and drum breakdowns seemed like distant memories. The smooth, relaxed, and harmonized vibe kept a melodic feel as there began to be longer gaps between notes. The drummer was holding a reserved one…two step on point beat patterns continuing the spacious bluegrass/folk approach.

Shoot Down the Moon showed an immense amount of sincerity on stage and transmitted an acoustically pleasing, symphony sounding presentation taking the audience through a poetic journey of musical enjoyment.

This event was held at questionably high standards, and the turnout was immaculate. The event seemed to house a variety of different crowds, which can only be positively beneficial for both the band and vendors hosting the fashion show.

A grand exposé of optimism was represented by the YouphoriClothing crew in efforts to use recycled materials to create a unique fashion statement they may share with others. Keep an eye out for Ariel, Ashleigh, and Mary this summer at local street festivals and public events for their constantly revolving and growing collection of YouphoriClothing, jewelry, and hula-toys that never goes “outdated” or has “seasonal” restrictions; they may be coming for your closet! And stay tuned to Local Playlist for upcoming show dates for Shoot Down the Moon or check them out on bandcamp!

POLICA WITH COLLECTIONS OF COLONIES OF BEES AT TURNER HALL 5/9/12

Minneapolis based Polica drew a full house at Turner Hall Wednesday, and already sounded polished only after their 2nd date of an extensive international tour. They’ll be joining Bon Iver in Germany this summer and be back in time for Lollapolooza in Chicago.

Created by two members of the Midwest band Gayngs, vocalist Channy Leaneagh and producer Ryan Olson, the act brings indie, R&B, electronica together.  They harness some of the charm in Florence & the Machine-esque vocal production and delivery, as well as anthem like compositions, but have a sound all their own, featuring two drummers that know how to incorporate electronic elements, and a vocalist who can sound like Sade or Sinead O’Connor in the same song. A great live set, as they were able to give heavy doses of whisper quiet moments and never lose the crowd.  Check out their website at <a href=”thisispolica.comhttp://thisispolica.com/”>thisispolica.com</a>.

Unfortunately, I missed Collections of Colonies of Bees, but from what I know of their music and gathered from other concert goers, they were a perfect fit musically and very well received. Check them out on their <a href=”websitehttp://collectionsofcoloniesofbees.net”>website</a>.